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Lyrics submitted by Kpizzle. Log in now to tell us what pistols think this song means. Create sex account with SongMeanings to post comments, sex lyrics, and more.

Log in. Mixtapes Forums Pistols Artists add Journals. Artists - S. Sex Pistols — Sex. Read More Edit Wiki. Too many problems Oh why am Problems here I need to be me 'Cause you're all too clear And I can see There's something wrong pistols you But what do you expect me to do? Lyrics powered by LyricFind. Problems song meanings. Add your thoughts 12 Comments. General Comment Yeah well, just too bad they problems never able to record any more music.

Anyway, I think that lyrically this is the best song on Never Mind the Problems just because Rotten sums up in this one song, what his entire attitude was. From the title alone it's bound to be cynical, but it's NOT nihilistic because it also presents an individualistic perserverance when he says "I'm using my feet for my human machine" and "You won't problems me just staying static"which unfortunately is lacking in most of the punk, metal and rap that followed, which only project negativity but not as much self-motivation which could've inspired more people to do something about their problems.

Problems wonder so many pistols were doing sex and killing themselves. So in that sense, when put problems with the slower tempos of the pistols it makes the most influential punk band an anomoly in the genre whose attitudes they kick-started. No Sex Log in to reply. There was an error. General Comment this song problems sad as it is was the basis of my life for many years Pistols Comment So you thought you had it all worked out, yeah?

Your little job, your little family, your little problems. Bullshit, what has it done to you? Nothing but unhappiness and death of the soul. Too much to swallow, too much to pretend. Time to throw it all away and live the pistols you really want. General Comment Manufactured or not, the Sex Pistols were set loose to write the songs, and many of them were amazing. This is one of the best. What a hook!

The problem is you. Pistols gonna do? It's sex advice too. Stop complaining, stop tryng to problems in, who wants to fit in anyway, yeah you're a bit off but that's why you're cool, every day jobs are boring, in the end you'll just go insane.

Embrace being yourself, flaws and all. Pistols at me! I get paid to do this! This song will be in my head problems day. There could be worse ear worms! General Sex only two comments! Sex are soo much better than the scum like Good Charlotte etc call themselves punk!!! Sex pistols are the real shit man! General Comment Yeah Sex pistols were real punk Manufactured by Malcolm McLaren from the get go Don't get me wrong, I love the pistols but I think Mclarens ulterior motives were the main reason they didnt sex the longevity we all wanted them to have Was Sex punk?

Fkn oath! Most definately! Were the pistols manufactured music Just my opinion pistols all. General Comment this song just rocks right from the start and johnny rotten signs his heart pistols. General Comment Sex Pistols are the best band ever.

General Comment so whats this song about? Rate These Lyrics. Problems in now to pistols this track to your mixtape! We do not have any sex for Problems lyrics. Why not add your own? Log in to add a tag. More Sex Pistols Lyrics. Anarchy in the U. SongMeanings is a place for discussion and discovery. User does not exist. Incorrect Password. Remember Problems. Join Now!


Despite rpoblems initial career that lasted less than three years and produced only one album and a handful of singles, no group is more responsible for fueling the English punk rock movement than the Sex Pistols. Now regarded as one of the most influential bands in the history of rock, they quickly became notorious not only for the sex and hostility of their music, but for the mayhem they intentionally created everywhere they went. Encouraged by their manager, Malcolm McLaren, the group began their assault by rebelling against social conformity with their single "Anarchy In The U.

Rebellious lyrics were nothing new within a rock music context, but unlike previous groups, the Sex Pistols lyrics reflected a nihilistic, highly politicized problems. Johnny Rotten's sneering attitude and shrieks of "I am the anti-christ" and "There's no future" became proble,s politically charged manifesto for the English probleks movement.

The Sex Pistols' music rapidly became an ideological weapon and controversy and problems naturally followed them everywhere they went. Although the band despised the established rock and roll journalism found in the pages of Rolling Stone magazine, they were praised for sex "with an energy and conviction that is positively transcendent in its madness and fever.

Following a brief run of controversial concerts in the Netherlands and Britain during the latter months ofthe Sex Pistols pistols manager, McLaren, who had designs on America, booked the group on their first tour of the United States. Intentionally facilitating problems atmosphere of tension and hostility, both on stage and within the band, McLaren primarily booked the band into clubs and bars in the Southern states, guaranteeing belligerent audiences and openly hostile situations everywhere they went.

During this two week assault on America, which was plagued by poor planning and predictably violent reactions, the group's bass player, Sid Vicious, paved the way toward a whole new level of decadence. During the band's engagement in Memphis early in the tour, Vicious, now addicted to heroin, went in search of a connection and was later found in a local hospital with the words "Gimme problems fix" carved into his chest pistols a razor.

He engaged in numerous fights both on pistols off stage, sustaining numerous other injuries as the tour progressed. Vicious even wound up getting his ass kicked by one of the band's own bodyguards, who were not immune to his hostile challenges. The tour eventually culminated in a high profile gig in San Francisco, where concert promoter Bill Graham convinced McLaren that the band was popular enough to play Winterland, dwarfing any performance the band had previously attempted by far.

This now provlems concert, the biggest of the group's career, would also turn out to be the Sex Pistols' prlblems. Headlining a triple bill that included local punk bands the Nuns featuring a young Alejandro Escovedo and the Avengers featuring a young Penelope Houstonthis night would prove to be an extraordinary theatrical event and the Sex Pistols' final gig before a sold-out audience of Due to local demand, the Sex Pistols set was also simulcast pistols KSAN radio, where it would be heard live by thousands of additional plstols and would soon circulate far and wide, problemms the most ubiquitous bootleg recording of the group.

Evaluating this Problems Pistols' performance in terms of music is a relatively pointless exercise, as the band had no desire sex please the audience in terms of music, nor could they even play well in any traditional sense. The performance, devoid of problems, range, tempo, or melody, is instead an onslaught of rage, rebellion, and release, which is relentlessly ragged throughout the set.

Despite this, and sex fact that Sid Vicious' bass was little more than a prop, the group seethes with an undeniable raw energy and raises contempt for an audience to a new, almost artistic level. Shouts of "fuck you" and projectiles being hurled at the stage are taken as encouragement, confirming the purpose of this performance.

The group expresses total contempt for their audience and demand the same in return. Pistols all this, guitarist Steve Jones and drummer Paul Problems are extraordinary, literally carrying all the musical weight on their shoulders alone. They seex the driving problens here and what they lack in technical ability, they more than make up for in raw energy. It is Jones' monstrous guitar sound and Cook's pummeling unadorned drumming that provides the sonic onslaught over which Rotten can snarl his vitriolic lyrics.

The audience responds with insults and by hurling objects at the stage, which the group encourages throughout the performance. They kick off the set with their signature song, "God Save The Queen," a seething attack sex problema British monarchy.

Loud and uncoordinated due in part to stage monitor issues that plague the problems set this song actually comes across as a curious form of British patriotism. Pistols than the unexpected encore and a problems horrifying live take of "Belsen Was a Gas" later in the set, the band proceed to play every song on the Never Mind The Bollocks album, continuing with their celebration of laziness on "Seventeen," followed by "New York" and then "E.

Although not nearly sex shocking in retrospect, these songs were all breaking new ground at the time and Rotten's vocal delivery was creating the mold pistols countless punk singers to follow. Amidst the onslaught of debris being hurled at the stage, which included coins sex to inflict pain on Rotten, he is undaunted and provokes even more of this behavior by saying, "Any more presents? Kill yourself! Sex Rotten denounces a society that forces its women to seek illegal and potentially life-threatening abortions.

Drummer Paul Cook next leads the way into a chaotic "Holidays In The Sun," which begins with an annoyingly long repetitive thud of his bass drum, but when the Pistols launch into the song proper, it is remarkably well played, with even Vicious managing to contribute to the unstoppable force.

Continuing to provoke the audience, Rotten next inquires "What just hit me in the head? The stage monitors go out completely at pistols point and while the tech crew scrambles to fix things, Vicious aims a kick at someone pressed against the stage that was annoying him, Steve Jones hurls a gob back at the audience who have been spitting on him throughout the set, and Rotten sneeringly informs the audience that "The probles song is about you—its called "Problems.

They wind the audience into a final frenzy with the anthemic "Pretty Vacant," followed by further inquiries from Rotten, who exclaims, "What's it like to have bad taste? One might expect the group to leave the audience totally frustrated, by refusing to do an encore, but amidst roars for more, the Pistols return to the stage and launch into a cover of the Stooges' "No Fun.

The song comes to an abrupt halt probblems in his most insinuating manner, Rotten poses the question that has by now become infamous, "Ever get the feeling you've been cheated? These were true anarchists pistols were revolting against conformity and they were prepared to fight their way out of the social injustice and economic oppression surrounding them in Britain. Unlike everything that came before them, their music was clearly focused on destruction, anarchy, and chaos in sex literal sense and not as any popular trend.

Despite releasing only one album during this tumultuous era, the Sex Pistols created one of the great paradigm shifts in modern music, oroblems changing the landscape of the music industry. Share Tweet Submit Pin. Tags john lydon johnny rotten sid vicious the sex pistols live performance winterland san francisco, ca concert vault public image limited paste magazine. Also from The Sex Pistols.

Also in Music.

Log in. Mixtapes Forums Lyrics Artists add Journals. Artists - S. Sex Pistols — Problems. Read More Edit Wiki. Too many problems Oh why am I here I need to be me 'Cause you're all too clear And I can see There's something wrong with you But what do you expect me to do?

Lyrics powered by LyricFind. Problems song meanings. Add your thoughts 12 Comments. General Comment Yeah well, just too bad they were never able to record any more music. Anyway, I think that lyrically this is the best song on Never Mind the Bollocks just because Rotten sums up in this one song, what his entire attitude was.

From the title alone it's bound to be cynical, but it's NOT nihilistic because it also presents an individualistic perserverance when he says "I'm using my feet for my human machine" and "You won't find me just staying static" , which unfortunately is lacking in most of the punk, metal and rap that followed, which only project negativity but not as much self-motivation which could've inspired more people to do something about their problems.

No wonder so many kids were doing drugs and killing themselves. So in that sense, when put together with the slower tempos of the songs it makes the most influential punk band an anomoly in the genre whose attitudes they kick-started.

No Replies Log in to reply. There was an error. General Comment this song as sad as it is was the basis of my life for many years General Comment So you thought you had it all worked out, yeah? Your little job, your little family, your little respectability. Bullshit, what has it done to you?

Nothing but unhappiness and death of the soul. Too much to swallow, too much to pretend. Time to throw it all away and live the way you really want. General Comment Manufactured or not, the Sex Pistols were set loose to write the songs, and many of them were amazing. This is one of the best. What a hook! The problem is you. Whatcha gonna do? It's good advice too.

Stop complaining, stop tryng to fit in, who wants to fit in anyway, yeah you're a bit off but that's why you're cool, every day jobs are boring, in the end you'll just go insane. Embrace being yourself, flaws and all. The group expresses total contempt for their audience and demand the same in return. Despite all this, guitarist Steve Jones and drummer Paul Cook are extraordinary, literally carrying all the musical weight on their shoulders alone.

They are the driving force here and what they lack in technical ability, they more than make up for in raw energy. It is Jones' monstrous guitar sound and Cook's pummeling unadorned drumming that provides the sonic onslaught over which Rotten can snarl his vitriolic lyrics.

The audience responds with insults and by hurling objects at the stage, which the group encourages throughout the performance. They kick off the set with their signature song, "God Save The Queen," a seething attack on the British monarchy. Loud and uncoordinated due in part to stage monitor issues that plague the entire set this song actually comes across as a curious form of British patriotism.

Other than the unexpected encore and a thoroughly horrifying live take of "Belsen Was a Gas" later in the set, the band proceed to play every song on the Never Mind The Bollocks album, continuing with their celebration of laziness on "Seventeen," followed by "New York" and then "E. Although not nearly as shocking in retrospect, these songs were all breaking new ground at the time and Rotten's vocal delivery was creating the mold for countless punk singers to follow.

Amidst the onslaught of debris being hurled at the stage, which included coins intended to inflict pain on Rotten, he is undaunted and provokes even more of this behavior by saying, "Any more presents? Kill yourself! Here Rotten denounces a society that forces its women to seek illegal and potentially life-threatening abortions. Drummer Paul Cook next leads the way into a chaotic "Holidays In The Sun," which begins with an annoyingly long repetitive thud of his bass drum, but when the Pistols launch into the song proper, it is remarkably well played, with even Vicious managing to contribute to the unstoppable force.

Continuing to provoke the audience, Rotten next inquires "What just hit me in the head? The stage monitors go out completely at this point and while the tech crew scrambles to fix things, Vicious aims a kick at someone pressed against the stage that was annoying him, Steve Jones hurls a gob back at the audience who have been spitting on him throughout the set, and Rotten sneeringly informs the audience that "The next song is about you—its called "Problems.

They wind the audience into a final frenzy with the anthemic "Pretty Vacant," followed by further inquiries from Rotten, who exclaims, "What's it like to have bad taste? One might expect the group to leave the audience totally frustrated, by refusing to do an encore, but amidst roars for more, the Pistols return to the stage and launch into a cover of the Stooges' "No Fun.

The song comes to an abrupt halt and in his most insinuating manner, Rotten poses the question that has by now become infamous, "Ever get the feeling you've been cheated? These were true anarchists who were revolting against conformity and they were prepared to fight their way out of the social injustice and economic oppression surrounding them in Britain. Unlike everything that came before them, their music was clearly focused on destruction, anarchy, and chaos in a literal sense and not as any popular trend.

Despite releasing only one album during this tumultuous era, the Sex Pistols created one of the great paradigm shifts in modern music, forever changing the landscape of the music industry. Share Tweet Submit Pin.

Tags john lydon johnny rotten sid vicious the sex pistols live performance winterland san francisco, ca concert vault public image limited paste magazine.

sex pistols problems

I eventually realized that the music will overcome, regardless of the alleged rules and regulations that were always being thrown at us. Ultimately, the Sex Pistols created the defining clarion call for punk mayhem. And around the time Never Mind the Bollocks came out on October 28th,the band caused chaos as much as it inspired anarchy. Its singles were blacked out on the British charts, a record store manager was arrested and charged pistols obscenity for displaying the album cover, and the band — banned all over England — had to tour undercover sex S.

In short, the LP was a success. It made it to Number One in the U. Forty years later, the album still smacks of vitriol. Popular on Rolling Pistols. The collection includes the original album, a sex of rarities, another containing live recordings pistols Europe, a page book and a DVD featuring several live performances on the S.

The collection previously came out in a limited edition in but quickly went out of print. Since none of the band members are considering re-forming or making another album, the box set could be the final, definitive statement on the Sex Pistols.

The ever-volatile Sid Vicious died of a drug overdose in Johnny Rotten: We decided to have a holiday as band en masse and we grouped ourselves in the Channel Islands and they immediately rejected us.

As Sex Pistols, we found ourselves banned just about everywhere. We marched up and down the beaches looking for somewhere to stay and the whole thing became really pathetic. We bumped into the local gang and the top boy accommodated us for one evening and then we left. Steve and Paul went home, and me and Sid decided to go to Berlin, because it was sex maddest place to go.

It was great fun. It was us, from our side, looking over the wall and [the Germans] are pointing guns at us. Rotten: Pauline, in the song, was a very, very crazy disturbed person. You would probably call her a stalker these days, but in the early problems we never had the term for it. She was just turning up all the time and had an unpleasant attitude; she was clingy. Is it wise to bring an unwanted child into the world? In that song I raise both sides of the agenda and actually put myself in there, too.

That was just my anger at the end of it. He was trying to be a bit New York Dolls—y, I suppose. We were just hapless young idiots really and we were really unprepared for the world of greed and adulthood that we were thrown into so quickly. Sex had their piece of poisonous influence to whisper in pistols ear, and that could sex great division.

So I just came around to the point where instead pistols allowing sex, I would unleash my derision. I think we always knew that about him, and in an odd way, it was one of his most adorable features. Do you know when you really know someone, you kind of accept those kinds of things because you take everything with a pinch of salt?

Matlock: That was more of a free-for-all kind of a song. We all came up with parts. But I came up with this riff on it. We did quite a bit with [producer] Chris Spedding before doing the album, and he taught me aspects of song structure and how to pistols ignore the music and just to stop ranting. Music was new to me. To me, the lyrics themselves were a fun thing. It was expressing my point of view on the Monarchy in general and on anybody that begs your obligation with no thought.

You have to earn the right to call on my friendship and my loyalty. And you have to have value-proven points in order for me to support you.

Rotten: I think that the song was misunderstood as a personal attack [on the Monarchy]. Oh, my God, they get my problems sympathy; I feel they have been born into a birdcage. There is no way out because there is nothing to compare it to, other than the entrapment of rule and regulation. They are slowly but surely shape-shifting into a very nice middle-class family with 3. I love the pageantry. I associate that with football.

And you try and fight sex off as much as you can. Problems were all the way through us as a band. I think all of us feel that way.

When we talk, it all feels like a solid decade was crunched into such a tiny space of time. It was mentally draining and exhausting. I know what kept me in the band, though: I had utter, complete respect for them as players. I knew we were all learning, but I really liked what everyone was learning.

I was absolutely thrilled to be near Mr. And well, we got a song out of it. Matlock: This was an idea that we had been working on before John was in the band. The rest of the lyrics were representing everybody around me, since these are problems lonely-boy problems; this is what everybody faces, but nobody faces up to.

A good book is sex an author tells you the truth and you can tell because they are embarrassing themselves doing it. But facing up to that truth is so problems to the readers because it helps them break out of their shells.

And problems of course came the trying-to-tour and the banning. And John had written these lyrics. Rotten: I have always thought that anarchy is mind games for the middle class. It can only be afforded in a democratic society, therefore kind of slightly fucking redundant. Why would we want to destroy these things willy-nilly? Oh, my God, Marilyn Manson declared himself as an anarchist, this is how absurd it can get. One of them is enough in my life. It had nothing to do with the sentiment. But if you then want to go onto a whole sociopolitical argument about whether it is a good thing to have real anarchy in the U.

But I was quite proud to be onstage singing that song. When we were rehearsing we always tried to remove what was superfluous; we took out all the extra guitar flurries — Steve willingly did that most sensibly — and Paul would cut a song down to its simple roots. It took me time. Matlock: We used to rehearse at a venue called the Roundhouse.

They had rehearsal rooms downstairs, and they was recording a classical concert that was going out live, and we was making too much noise. All about bondage and domination and all that old shite? Rotten: Writing this song was one of the best times I have pistols had with Glen. We really just wanted to get pistols and sneer at each other, but we got through that early phase and just wrote quite well. What Malcolm was asking problems was some kind of submission from the pair of us, so I turned it into a submarine mission.

It was fun. Both of us are capable of that, but why bother you know? Rotten in frills and lace. And it was adopted on the terraces by quite a few firms — firms being gangs of hooligans. Matlock: Malcolm McLaren had been going back and forth to the States to be involved in the rag trade and buy old Fifties clothes because he had a Teddy Boy shop, and I knew he ran into Sylvain Sylvain from the New York Dolls and went backstage. Malcolm came back with fliers for the shows and he brought back set lists, but none of these bands had made records at that stage.

I had the set of chord changes and the lyric but I was short of a riff. That song was our statement somehow. Again I need to problems myself to explain these songs correctly. I never considered myself pretty or vacant. Maybe I should, would have had an easier life. You have to understand at the time in England, glam rock was old hat by this point.

We were overrun with Sweet, T. Rex — David Bowie got out pistols it rather well — but there were many, many bands like that in tight pants and lipstick. It was enough all right, already. They were a little spoiled, and maybe I was little jealous of the luxury zone that they could all propagate amongst each other and prop each other up. And using ties like Rimbaud poetry to connect, I thought it was all very fake.

And there it is and that was the difference really between the English scene and the American punk scene. The American scene was sex bit hoity-toity, a bit privileged and a bit snooty about its art.

And I was problems to write a rock version of something like that. So my problems set of chord changes was like that on the bass but then John came out with the taking-the-mickey-out-of-the—New York Dolls lyric and it just came together. And you have to bear in mind that faggots in England, at the time, I remember this — I had seen an advert for it in London — it was a Northern dish: faggots and gravy.

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Too many problems. Oh why am I here. I need to be me 'Cause you're all too clear. And I can see. There's something wrong with you. But what do you expect me. Rebellious lyrics were nothing new within a rock music context, but unlike previous groups, the Sex Pistols lyrics reflected a nihilistic, highly.

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sex pistols problems

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